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關(guān)鍵詞：劇情片 
影片別名：meiyouhejie 恨難解 / Not Reconciled / Not Reconciled or Only Violence Helps Where Violence Rules
《沒有和解》講述了一對父子之間的家庭糾紛和矛盾。主演包括Heinrich Hargesheimer, Carlheinz Hargesheimer和Martha Staendner。Heinrich Hargesheimer飾演父親角色，他曾說：“我只是想為你好，你為什么不能理解？”Carlheinz Hargesheimer扮演兒子，曾說：“我無法原諒你對我的傷害?！盡artha Staendner飾演母親，她在劇中說：“希望你們能夠和解，家庭團聚才是最重要的?！毖輪T包括Heinrich Hargesheimer, Carlheinz Hargesheimer和Martha Staendner。關(guān)系是父子和母親。豆瓣內(nèi)容:　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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