造物的奇跡（別名：zaowudeqiji Our Heavenly Bodies）是Hanns Walter Kornblum主持執(zhí)導(dǎo),由Margarete Sch?n,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl演員主演,是一部扣人心弦的科幻片。
《造物的奇跡》講述了一位科學(xué)家在實驗室中創(chuàng)造出一種新生命體的故事，新生命體開始展現(xiàn)出超乎想象的能力，引發(fā)了一系列意想不到的事件。Margarete Sch?n飾演科學(xué)家的妻子，Theodor Loos飾演科學(xué)家，Paul Bildt飾演實驗室助手。Margarete Sch?n：我相信你的研究一定會取得成功的。Theodor Loos：這個實驗可能會改變我們的生活。Paul Bildt：這個新生命體的潛力無限，我們必須小心研究。豆瓣內(nèi)容:　　Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.造物的奇跡更多精彩追蹤馬蘇比拉米最終幻想：靈魂深處幻體：續(xù)命游戲神秘美人局光影之戰(zhàn)414區(qū)尋找黎明鐵血戰(zhàn)士：殺戮之地惑星大戰(zhàn)爭年鑒計劃